{"id":8022,"date":"2017-12-18T00:00:00","date_gmt":"2017-12-17T17:00:00","guid":{"rendered":"https:\/\/hoasen.ntc33.net\/hoi-thao-dich-thuat-cac-xu-huong-dich-thuat-duong-dai\/"},"modified":"2023-10-05T08:04:56","modified_gmt":"2023-10-05T01:04:56","slug":"hoi-thao-dich-thuat-cac-xu-huong-dich-thuat-duong-dai","status":"publish","type":"post","link":"https:\/\/ntc33.net\/hoi-thao-dich-thuat-cac-xu-huong-dich-thuat-duong-dai\/","title":{"rendered":"H\u1ed9i th\u1ea3o d\u1ecbch thu\u1eadt \u201cC\u00e1c xu h\u01b0\u1edbng d\u1ecbch thu\u1eadt \u0111\u01b0\u01a1ng \u0111\u1ea1i\u201d"},"content":{"rendered":"<\/p>\n<div class=\"show-article\">\n<p>T\u1eeb nhi\u1ec1u n\u0103m nay, d\u1ecbch thu\u1eadt v\u00e0 c\u00e1c v\u1ea5n \u0111\u1ec1 trong d\u1ecbch thu\u1eadt lu\u00f4n l\u00e0 s\u1ef1 quan t\u00e2m c\u1ee7a c\u00e1c nh\u00e0 ng\u00f4n ng\u1eef h\u1ecdc, c\u00e1c nh\u00e0 nghi\u00ean c\u1ee9u, chuy\u00ean gia, d\u1ecbch gi\u1ea3 v\u00e0 gi\u1ea3ng vi\u00ean. V\u1edbi m\u1ee5c \u0111\u00edch t\u1ea1o \u0111i\u1ec1u ki\u1ec7n cho gi\u1ea3ng vi\u00ean, sinh vi\u00ean Hoa Sen c\u00f3 c\u01a1 h\u1ed9i giao l\u01b0u, chia s\u1ebb v\u00e0 h\u1ecdc t\u1eadp t\u1eeb nh\u1eefng nh\u00e0 nghi\u00ean c\u1ee9u l\u1edbn trong l\u0129nh v\u1ef1c d\u1ecbch thu\u1eadt; N\u00e2ng cao ch\u1ea5t l\u01b0\u1ee3ng cho ch\u01b0\u01a1ng tr\u00ecnh chuy\u00ean ng\u00e0nh Bi\u00ean phi\u00ean d\u1ecbch; Qu\u1ea3ng b\u00e1 ch\u01b0\u01a1ng tr\u00ecnh Th\u1ea1c s\u0129 chuy\u00ean ng\u00e0nh Ng\u00f4n ng\u1eef Anh; N\u00e2ng cao uy t\u00edn tr\u01b0\u1eddng \u0110\u1ea1i h\u1ecdc Hoa Sen; B\u1ed9 m\u00f4n Ng\u00f4n ng\u1eef v\u0103n h\u00f3a Anh \u2013 M\u1ef9, khoa Khoa h\u1ecdc x\u00e3 h\u1ed9i v\u00e0 Nh\u00e2n v\u0103n thu\u1ed9c Tr\u01b0\u1eddng \u0110\u1ea1i h\u1ecdc Hoa Sen \u0111\u00e3 l\u00ean k\u1ebf ho\u1ea1ch t\u1ed5 ch\u1ee9c <a href=\"http:\/\/translationconference.hoasen.ntc33.net\/\" target=\"_blank\" rel=\"noopener\">h\u1ed9i th\u1ea3o Bi\u00ean phi\u00ean d\u1ecbch v\u1edbi ch\u1ee7 \u0111\u1ec1: Translation and Contemporary Trends<\/a>. Nh\u00f3m d\u1ef1 \u00e1n tr\u01b0\u1eddng \u0110\u1ea1i h\u1ecdc Huddersfield, V\u01b0\u01a1ng qu\u1ed1c Anh l\u00e0 ng\u01b0\u1eddi \u0111\u1ed3ng t\u1ed5 ch\u1ee9c H\u1ed9i th\u1ea3o.<\/p>\n<p>\u0110\u1ed1i t\u01b0\u1ee3ng tham d\u1ef1 H\u1ed9i th\u1ea3o bao g\u1ed3m gi\u1ea3ng vi\u00ean v\u00e0 sinh vi\u00ean \u0110H Hoa Sen, c\u00e1c d\u1ecbch gi\u1ea3, c\u00e1c nh\u00e0 nghi\u00ean c\u1ee9u, gi\u1ea3ng vi\u00ean v\u00e0 sinh vi\u00ean chuy\u00ean ng\u00e0nh Bi\u00ean phi\u00ean d\u1ecbch t\u1ea1i c\u00e1c tr\u01b0\u1eddng \u0110\u1ea1i h\u1ecdc v\u00e0 Cao \u0111\u1eb3ng c\u00f3 quan t\u00e2m \u0111\u1ebfn H\u1ed9i th\u1ea3o. Theo d\u1ef1 ki\u1ebfn s\u1ebd d\u00e0nh 30 ch\u1ed7 cho sinh vi\u00ean chuy\u00ean ng\u00e0nh D\u1ecbch thu\u1eadt c\u1ee7a \u0110\u1ea1i h\u1ecdc Hoa Sen.<\/p>\n<p>V\u1edbi s\u1ed1 l\u01b0\u1ee3ng tham d\u1ef1 kho\u1ea3ng 200 ng\u01b0\u1eddi, Translation and Contemporary Trends s\u1ebd di\u1ec5n ra v\u00e0o ng\u00e0y 13\/1\/2018 t\u1ea1i H\u1ed9i tr\u01b0\u1eddng l\u1ea7u 2, c\u01a1 s\u1edf Nguy\u1ec5n V\u0103n Tr\u00e1ng, ph\u01b0\u1eddng B\u1ebfn Th\u00e0nh, qu\u1eadn 1, th\u00e0nh ph\u1ed1 HCM.<\/p>\n<p>Theo d\u1ef1 ki\u1ebfn, H\u1ed9i th\u1ea3o s\u1ebd c\u00f3 nh\u1eefng kh\u00e1ch m\u1eddi l\u00e0 c\u00e1c Chuy\u00ean gia trong l\u0129nh v\u1ef1c d\u1ecbch thu\u1eadt nh\u01b0 Gi\u00e1o s\u01b0\u00a0Luis P\u00e9rez-Gonz\u00e1lez \u2013 \u0110\u1ea1i h\u1ecdc Manchester, Ti\u1ebfn s\u0129 Jonathan Evans \u2013 \u0110\u1ea1i h\u1ecdc Portsmouth, Ti\u1ebfn s\u0129 Tessa Dwyer \u2013 \u0110\u1ea1i h\u1ecdc Monash, Ti\u1ebfn s\u0129 L\u01b0\u01a1ng V\u0103n Nh\u00e2n \u2013 \u0110\u1ea1i h\u1ecdc Huddersfield.<\/p>\n<p>H\u1ed9i th\u1ea3o \u0111\u01b0\u1ee3c \u0111\u00f3n ti\u1ebfp kh\u00e1ch m\u1eddi t\u1eeb c\u00e1c tr\u01b0\u1eddng \u0111\u1ea1i h\u1ecdc trong n\u01b0\u1edbc nh\u01b0 Ti\u1ebfn s\u0129 Tr\u01b0\u01a1ng B\u1ea1ch L\u00ea \u2013 \u0110\u1ea1i h\u1ecdc Hu\u1ebf, Th\u1ea7y \u0110\u00e0o Phong L\u00e2m \u2013 \u0110\u1ea1i h\u1ecdc C\u1ea7n Th\u01a1.<\/p>\n<p>\u0110\u00e2y s\u1ebd l\u00e0 m\u1ed9t H\u1ed9i th\u1ea3o khoa h\u1ecdc Chuy\u00ean ng\u00e0nh c\u1ea7n thi\u1ebft, c\u00f3 ch\u1ea5t l\u01b0\u1ee3ng cao v\u00e0 c\u00f3 nhi\u1ec1u \u00fd ngh\u0129a thi\u1ebft th\u1ef1c trong l\u0129nh v\u1ef1c d\u1ecbch thu\u1eadt.<\/p>\n<table border=\"1\" cellpadding=\"1\" cellspacing=\"1\" style=\"width:100%\">\n<tbody>\n<tr>\n<td class=\"rtecenter\">\n<p class=\"rteleft\">Ng\u00f4n ng\u1eef h\u1ed9i th\u1ea3o: Ti\u1ebfng Anh\u00a0<\/p>\n<p class=\"rteleft\">Th\u1eddi h\u1ea1n \u0111\u0103ng k\u00ed tham d\u1ef1: 6\/1\/2018<\/p>\n<p class=\"rteleft\">\u0110\u1ec3 \u0111\u01b0\u1ee3c gi\u1ea3i \u0111\u00e1p th\u00f4ng tin chi ti\u1ebft v\u00ea\u0300 vi\u00ea\u0323c \u0111\u0103ng ky\u0301 h\u1ed9i th\u1ea3o, xin vui l\u00f2ng li\u00ean h\u1ec7:<\/p>\n<p class=\"rteleft\">Ms Nguy\u1ec5n Th\u1ecb T\u00f4n N\u1eef Ph\u01b0\u1ee3ng Linh \u2013 \u0111i\u1ec1u ph\u1ed1i vi\u00ean<\/p>\n<ul>\n<li class=\"rteleft\">\u0110\u1ecba ch\u1ec9 email:\u00a0<a href=\"mailto:linh.nguyenthitonnuphuong@hoasen.ntc33.net\">linh.nguyenthitonnuphuong@hoasen.ntc33.net<\/a>\u00a0\u00a0<\/li>\n<li class=\"rteleft\">S\u1ed1 \u0110T: 0918822233<\/li>\n<\/ul>\n<p class=\"rteleft\">Ms Tr\u1ea7n Th\u1ecb Ng\u1ecdc Oanh \u2013 th\u01b0 k\u00fd<\/p>\n<ul>\n<li class=\"rteleft\">\u0110\u1ecba ch\u1ec9 email:\u00a0<a href=\"mailto:oanh.tranthingoc@hoasen.ntc33.net\">oanh.tranthingoc@hoasen.ntc33.net<\/a><\/li>\n<li class=\"rteleft\">S\u1ed1 \u0110T: 028 73091991 &#8211; 12542<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2><strong>Biodata<\/strong><\/h2>\n<p><strong><img decoding=\"async\" src=\"https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h1-4.jpg\" style=\"float:left; margin:7px; width:25%\" title=\"h1-4\" srcset=\"https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h1-4.jpg 240w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h1-4-157x186.jpg 157w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h1-4-232x275.jpg 232w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h1-4-222x264.jpg 222w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h1-4-208x247.jpg 208w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h1-4-235x279.jpg 235w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h1-4-238x283.jpg 238w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h1-4-196x233.jpg 196w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h1-4-224x266.jpg 224w\">Luis P\u00e9rez-Gonz\u00e1lez <\/strong>is Professor of Translation Studies and Co-director of the Centre for Translation and Intercultural Studies at the University of Manchester, UK. He is a Co-investigator on the 4-year project Genealogies of Knowledge: The Evolution and Contestation of Concepts across Time and Space, and a research associate in the Manchester-led OWRI project Cross-language Dynamics: Reshaping Community \u2013 both of them funded by the Arts and Humanities Research Council in the UK. He is also author of Audiovisual Translation: Theories, Methods and Issues (Routledge 2014), editor of Routledge Handbook of Audiovisual Translation (2017), and co-editor of Routledge\u2019s Critical Perspectives on Citizen Media book series. His articles have appeared in a wide range of international journals, including The Translator, The Journal of Language and Politics, Convergence: The International Journal of Research into New Media, International Journal of Cultural Studies, Journal of Pragmatics and Language and Intercultural Communication.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h2-2.jpg\" style=\"float:left; margin:7px; width:25%\" title=\"h2-2\" srcset=\"https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h2-2.jpg 250w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h2-2-186x186.jpg 186w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h2-2-247x247.jpg 247w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h2-2-233x233.jpg 233w\"><\/p>\n<p><strong>Dr. Jonathan<\/strong> is a professor at the University of Portsmouth. The focus of his teaching is the theory and practice of translation. His research is concerned with how people use translation and adaptation. He works on contemporary literature, film and comics. There are two main strands to his research: creative uses of translation and translation and community.<\/p>\n<p>In his work on creative translation, he focuses on how authors and filmmakers use translation in their work. His book,\u00a0The Many Voices of Lydia Davis\u00a0(EUP, 2016) focuses on Lydia Davis&#8217; translation practice and the intersections with her work as an author, particularly her responses to her translations as well as her use of translation as a form of composition. He is currently working on film remakes, focusing on how they affect the reception of the original film and contribute to its continuing after life as well as the intertextual experience of the films. His work has been published in journals such as\u00a0Journal of Adaptation in Film and Performance,\u00a0Translation Studies,\u00a0Quaderns: revista de traducci\u00f3,\u00a0Journal of Specialised Translation,\u00a0Translation and Literatureand\u00a0TTR.<\/p>\n<p>His work on translation and community focuses on how translation can help form communities as well as community pressures on translation. He is currently working on a project on how communities of fans of musicals use translation with Laura MacDonald. His other project in this area is co-editing, with Fruela Fernandez, the\u00a0Routledge Handbook of Translation and Politics\u00a0(forthcoming 2018).<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h3-1.jpg\" style=\"float:left; margin:7px; width:25%\" title=\"h3-1\" srcset=\"https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h3-1.jpg 408w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h3-1-149x186.jpg 149w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h3-1-220x275.jpg 220w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h3-1-211x264.jpg 211w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h3-1-197x247.jpg 197w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h3-1-223x279.jpg 223w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h3-1-226x283.jpg 226w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h3-1-314x393.jpg 314w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h3-1-347x434.jpg 347w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h3-1-186x233.jpg 186w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h3-1-212x266.jpg 212w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h3-1-252x316.jpg 252w, https:\/\/ntc33.net\/wp-content\/uploads\/2021\/11\/h3-1-248x311.jpg 248w\"><\/p>\n<p><strong>Tessa Dwyer<\/strong> is Lecturer in Film and Screen Studies at Monash University, Melbourne and President of Senses of Cinema journal. She has published widely on language politics in screen media, including the recent monograph Speaking in Subtitles: Revaluing Screen Translation (Edinburgh UP, 2017). Tessa belongs to the inter-disciplinary ETMI (Eye Tracking the Moving Image) research group and is co-editor of Seeing into Screens: Eye Tracking the Moving Image (Bloosmbury, forthcoming).<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>T\u1eeb nhi\u1ec1u n\u0103m nay, d\u1ecbch thu\u1eadt v\u00e0 c\u00e1c v\u1ea5n \u0111\u1ec1 trong d\u1ecbch thu\u1eadt lu\u00f4n l\u00e0 s\u1ef1 quan t\u00e2m c\u1ee7a c\u00e1c nh\u00e0 ng\u00f4n ng\u1eef h\u1ecdc, c\u00e1c nh\u00e0 nghi\u00ean c\u1ee9u, chuy\u00ean gia, d\u1ecbch gi\u1ea3 v\u00e0 gi\u1ea3ng vi\u00ean. V\u1edbi m\u1ee5c \u0111\u00edch t\u1ea1o \u0111i\u1ec1u ki\u1ec7n cho gi\u1ea3ng vi\u00ean, sinh vi\u00ean Hoa Sen c\u00f3 c\u01a1 h\u1ed9i giao l\u01b0u, chia s\u1ebb v\u00e0 h\u1ecdc t\u1eadp t\u1eeb nh\u1eefng nh\u00e0 nghi\u00ean c\u1ee9u l\u1edbn trong l\u0129nh v\u1ef1c d\u1ecbch thu\u1eadt; N\u00e2ng cao ch\u1ea5t l\u01b0\u1ee3ng cho ch\u01b0\u01a1ng tr\u00ecnh chuy\u00ean ng\u00e0nh Bi\u00ean phi\u00ean d\u1ecbch; Qu\u1ea3ng b\u00e1 ch\u01b0\u01a1ng tr\u00ecnh Th\u1ea1c s\u0129 chuy\u00ean ng\u00e0nh Ng\u00f4n ng\u1eef Anh; N\u00e2ng cao uy t\u00edn tr\u01b0\u1eddng \u0110\u1ea1i h\u1ecdc Hoa&#8230;<\/p>\n","protected":false},"author":1,"featured_media":8027,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[83,85,75,79,59],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/posts\/8022"}],"collection":[{"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/comments?post=8022"}],"version-history":[{"count":1,"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/posts\/8022\/revisions"}],"predecessor-version":[{"id":8026,"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/posts\/8022\/revisions\/8026"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/media\/8027"}],"wp:attachment":[{"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/media?parent=8022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/categories?post=8022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/tags?post=8022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}