V\u00e0i n\u00e9t v\u1ec1 \u0111\u1ea1o di\u1ec5n Tony L\u00ea \u2013 Nguy\u1ec5n<\/u><\/strong><\/p>\nTony L\u00ea \u2013 Nguy\u1ec5n ( L\u00ea Thi\u1ec7n To\u00e0n) sinh n\u0103m 1968 \u2013 t\u1ea1i \u0111\u1ed3ng b\u1eb1ng s\u00f4ng C\u1eedu Long.<\/p>\n
Tony L\u00ea-Nguy\u1ec5n theo h\u1ecdc k\u1ef9 thu\u1eadt \u0111i\u1ec7n \u1ea3nh t\u1ea1i tr\u01b0\u1eddng RMIT, Melbourne n\u0103m 1989 v\u00e0 t\u1ed1t nghi\u1ec7p \u00a0b\u1eb1ng C\u1eed Nh\u00e2n (K\u1ecbch Ngh\u1ec7 v\u00e0 Ph\u00e1t tri\u1ec3n c\u1ed9ng \u0111\u1ed3ng) n\u0103m 1998 v\u00e0 b\u1eb1ng S\u01b0 Ph\u1ea1m n\u0103m 2000 t\u1ea1i Tr\u01b0\u1eddng \u0110\u1ea1i h\u1ecdc Victoria.<\/p>\n
N\u0103m 2000, anh l\u00e0 ng\u01b0\u1eddi Vi\u1ec7t \u0111\u1ea7u ti\u00ean \u0111\u01b0\u1ee3c H\u1ed9i \u0111\u1ed3ng Ngh\u1ec7 Thu\u1eadt \u00dac trao t\u1eb7ng h\u1ecdc b\u1ed5ng ph\u00e1t tri\u1ec3n v\u0103n h\u00f3a c\u1ed9ng \u0111\u1ed3ng (Community Development Fellowship) \u0111\u1ec3 anh \u0111i nghi\u00ean c\u1ee9u ngh\u1ec7 thu\u1eadt qu\u1ea7n ch\u00fang tr\u00ean to\u00e0n th\u1ebf gi\u1edbi.\u00a0 T\u1eeb \u0111\u00f3 anh \u0111\u00e3 \u0111\u01b0\u1ee3c m\u1eddi gi\u1ea3ng d\u1ea1y v\u00e0 thuy\u1ebft tr\u00ecnh nhi\u1ec1u n\u01a1i \u1edf \u00dac, M\u1ef9, Canada, \u00dd v\u00e0 H\u1ed3ng K\u00f4ng<\/p>\n
Hi\u1ec7n anh l\u00e0 Gi\u00e1m \u0111\u1ed1c s\u1ea3n xu\u1ea5t cho L\u00ea-Nguy\u1ec5n Productions t\u1ea1i Melbourne, \u00dac.<\/p>\n
Tr\u00ean 20 n\u0103m qua anh \u0111\u00e3 l\u00e0m r\u1ea5t nhi\u1ec1u vi\u1ec7c trong l\u0129nh v\u1ef1c ngh\u1ec7 thu\u1eadt t\u1eeb m\u1ed9t di\u1ec5n vi\u00ean, k\u1ecbch t\u00e1c gia, \u0111\u1ea1o di\u1ec5n v\u00e0 s\u1ea3n xu\u1ea5t:<\/p>\n
– M\u1ed9t s\u1ed1 vai di\u1ec5n:<\/strong><\/p>\n\n- N\u0103m 1992: vai di\u1ec5n \u201cTiger\u201d c\u00f9ng v\u1edbi di\u1ec5n vi\u00ean Russell Crowe \u00a0trong phim \u201cRomper Stomper\u201d c\u1ee7a \u0111\u1ea1o di\u1ec5n Geoffrey Wright. Anh c\u0169ng \u0111\u00e3 xu\u1ea5t hi\u1ec7n trong nh\u1ec1u t\u1eadp phim truy\u1ec1n h\u00ecnh c\u1ee7a \u00dac kh\u00e1c bao g\u1ed3m: \u201cStingers, SeaChange, Raw FM, GP, Fast Forward, All Together Now, Embassy, Secretst, The Damnation of Harvey McHugh, Paradise Beach, English at Work v\u00e0 Australia Most Wanted\u201d.<\/span><\/li>\n
- N\u0103m 1986 Anh b\u1eaft \u0111\u1ea7u \u0111i l\u01b0u di\u1ec5n t\u1eeb c\u00f9ng v\u1edbi N\u1eef di\u1ec5n vi\u00ean Maria Coustas, Nh\u00e0 h\u00e1t Handspan trong v\u1edf \u201cA Change of Face\u201d c\u1ee7a \u0111\u1ea1o di\u1ec5n Carmelina di Guglielmo. N\u0103m 1990 anh \u0111\u01b0\u1ee3c l\u00e0m vi\u1ec7c v\u1edbi nh\u00e0 h\u00e1t Victoria State Opera, trong v\u1edf \u201cMadama Butterfly\u201d v\u00e0 n\u0103m 1992 anh di\u1ec3n trong v\u1edf \u201cTitus\u201d nh\u00e0 h\u00e1t k\u1ecbch TheatreWorks c\u1ee7a \u0111\u1ea1o di\u1ec5n David Pledger v\u00e0 Robert Draffin.<\/span><\/li>\n<\/ul>\n
\u200b-\u00a0<\/span>S\u1ea3n xu\u1ea5t v\u00e0 \u0111\u1ea1o di\u1ec5n:<\/strong><\/p>\n\n- Trong th\u00e1ng 5 n\u0103m 1994, anh th\u00e0nh l\u1eadp Nh\u00f3m AVYM (Australian Vietnamese Youth Media) v\u1edbi s\u1ef1 h\u1ed7 tr\u1ee3 c\u1ee7a Tr\u1ea7n H\u1eefu v\u00e0 David Everist t\u1ea1i Trung t\u00e2m Ngh\u1ec7 thu\u1eadt C\u1ed9ng \u0111\u1ed3ng Footscray. Nh\u00f3m AVYM nh\u1eadn \u0111\u01b0\u1ee3c t\u00e0i tr\u1ee3 \u0111\u1ea7u ti\u00ean c\u1ee7a m\u00ecnh t\u1eeb qu\u1ef7 Queens Trust Australia v\u00e0o n\u0103m 1995 \u0111\u1ec3 s\u1ea3n xu\u1ea5t v\u1edf k\u1ecbch \u201cCh\u1ea1y V\u00f2ng V\u00f2ng\u201d, do ch\u00ednh anh vi\u1ebft v\u00e0 \u0111\u1ea1o di\u1ec5n. N\u0103m 1996 nh\u1eadn \u0111\u01b0\u1ee3c s\u1ef1 t\u00e0i tr\u1ee3 c\u1ee7a H\u1ed9i \u0111\u1ed3ng Ngh\u1ec7 Thu\u1eadt \u00dac v\u00e0 Sidney Myer Foundation \u0111\u1ec3 d\u1ef1ng l\u1ea1i Ch\u1ea1y V\u00f2ng V\u00f2ng m\u1ed9t c\u00e1ch quy m\u00f4 v\u00e0 chuy\u00ean nghi\u1ec7p h\u01a1n t\u1ea1i Nh\u00e0 h\u00e1t Napier Street Theatre, South Melbourne v\u00e0 n\u0103m 1998, anh \u0111\u01b0\u1ee3c nh\u00e0 h\u00e1t Urban Theatre Projects m\u1eddi \u0111\u1ec3 d\u1ef1ng l\u1ea1i\u00a0 v\u1edf \u201cCh\u1ea1y V\u00f2ng V\u00f2ng\u201d tr\u00ean Sydney.<\/span><\/li>\n
- Ngo\u00e0i nh\u1eefng t\u00e1c ph\u1ea9m tr\u00ean, Tony L\u00ea-Nguy\u1ec5n \u0111\u00e3 ch\u1ec9 \u0111\u1ea1o v\u00e0 s\u1ea3n xu\u1ea5t s\u1ea3n ph\u1ea9m chuy\u00ean nghi\u1ec7p v\u00e0 c\u1ed9ng \u0111\u1ed3ng nh\u01b0 \u201cA Time of Our Lives\u201d v\u1edbi nh\u00e0 h\u00e1t Nh\u00e0 h\u00e1t Tu\u1ed5i tr\u1ebb St Martins v\u00e0 trung t\u00e2m c\u1ed9ng \u0111\u1ed3ng Flemington n\u0103m 1996, v\u1edf \u201cNow I Lay Me Down c\u1ee7a Frank Ottis t\u1ea1i nh\u00e0 h\u00e1t La Mama n\u0103m 1997, v\u1edf \u00a0Taboo, cho L\u1ec5 h\u1ed9i Next Wave n\u0103m 1998, T\u00e1c gi\u1ea3 v\u00e0 S\u1ea3n xu\u1ea5t v\u1edf “Aussie Bia om, n\u0103m 2001 v\u00e0 \u0111\u1ea1o di\u1ec5n t\u00edch \u0111o\u1ea1n cho L\u1ec5 H\u1ed9i Maribyrnong trong n\u0103m 1997 v\u00e0 2000, S\u1ea3n Xu\u1ea5t v\u1edf \u201cChildren of the Dragon\u201d 2005 t\u1ea1i nh\u00e0 h\u00e1t Trades Hall v\u00e0 v\u1edf Silence n\u0103m 2008 t\u1ea1i nh\u00e0 h\u00e1t La Mama \u1ecf Melbourne.<\/span><\/li>\n
- N\u0103m 1996, anh \u0111\u01b0\u1ee3c m\u1eddi l\u00e0m \u0111\u1ed3ng \u0111\u1ea1o di\u1ec5n phim \u201cWorld\u2019s Apart\u201d v\u1edbi Gary McKechnie, m\u1ed9t phim truy\u1ec1n h\u00ecnh v\u1ec1 cu\u1ed9c xung \u0111\u1ed9t th\u1ebf h\u1ec7 trong m\u1ed9t gia \u0111\u00ecnh ng\u01b0\u1eddi Vi\u1ec7t Nam t\u1ea1i \u00dac. Phim n\u1ea7y \u0111\u00e3 \u0111\u01b0\u1ee3c tr\u00ecnh chi\u1ebfu l\u1ea7n \u0111\u1ea7u ti\u00ean tr\u00ean \u0111\u00e0i truy\u1ec1n h\u00ecnh SBS c\u1ee7a \u00dac v\u00e0o th\u00e1ng 12 n\u0103m 1997.<\/span><\/li>\n<\/ul>\n
\u200b<\/span>Trung t\u00e2m \u0110\u00e0o t\u1ea1o<\/span><\/em><\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Th\u1eddi gian: 13:30-16:00, Ng\u00e0y 17\/1\/2014 \u0110\u1ecba \u0111i\u1ec3m: Ph\u00f2ng 407- L\u1ea7u 4, \u0110\u1ea1i h\u1ecdc Hoa Sen (S\u1ed1 08, Nguy\u1ec5n V\u0103n Tr\u00e1ng, Q.1). \u0110\u0103ng k\u00fd tham d\u1ef1 t\u1ea1i \u0111\u00e2y T\u00f3m t\u1eaft n\u1ed9i dung phim: Worlds Apart k\u1ec3 v\u1ec1 c\u00e2u chuy\u1ec7n gia \u0111\u00ecnh s\u1ef1 kh\u1ee7ng ho\u1ea3ng ba th\u1ebf h\u1ec7 gia \u0111\u00ecnh s\u1ed1ng c\u00f9ng trong m\u1ed9t nh\u00e0.\u00a0 V\u1edbi nh\u1eefng ng\u01b0\u1eddi tr\u1ebb Vi\u1ec7t ki\u1ec1u t\u1ea1i \u00dac, h\u1ecd h\u00e1o h\u1ee9c ti\u1ebfp nh\u1eadn m\u1ed9t n\u1ec1n v\u0103n h\u00f3a m\u1edbi trong khi cha m\u1eb9 mu\u1ed1n b\u00e1m v\u00e0o nh\u1eefng gi\u00e1 tr\u1ecb v\u0103n h\u00f3a c\u0169 v\u00e0 k\u1ef3 v\u1ecdng r\u1ea5t cao v\u00e0o con c\u00e1i c\u00f3 th\u1ec3 \u0111\u1ea1t \u0111\u01b0\u1ee3c v\u1ecb tr\u00ed cao t\u1ea1i…<\/p>\n","protected":false},"author":1,"featured_media":4247,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[77,59],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/posts\/4244"}],"collection":[{"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/comments?post=4244"}],"version-history":[{"count":1,"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/posts\/4244\/revisions"}],"predecessor-version":[{"id":4246,"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/posts\/4244\/revisions\/4246"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/media\/4247"}],"wp:attachment":[{"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/media?parent=4244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/categories?post=4244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ntc33.net\/wp-json\/wp\/v2\/tags?post=4244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}