{"id":2597,"date":"2019-09-19T02:44:35","date_gmt":"2019-09-18T19:44:35","guid":{"rendered":"https:\/\/hoasen.ntc33.net\/tknt\/piano-sings-2019-phim-dan-thanh-xuan\/"},"modified":"2024-01-31T08:57:23","modified_gmt":"2024-01-31T01:57:23","slug":"piano-sings-2019-phim-dan-thanh-xuan","status":"publish","type":"post","link":"https:\/\/ntc33.net\/tknt\/piano-sings-2019-phim-dan-thanh-xuan\/","title":{"rendered":"Piano Sings 2019 – Ph\u00edm \u0111\u00e0n thanh xu\u00e2n"},"content":{"rendered":"<\/p>\n
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\u0110\u00eam 12\/09\/2019, Khoa Thi\u1ebft K\u1ebf & Ngh\u1ec7 Thu\u1eadt, \u0110\u1ea1i h\u1ecdc Hoa Sen v\u00e0 Tr\u01b0\u1eddng \u00c2m Nh\u1ea1c B.A.C.H. t\u1ed5 ch\u1ee9c bu\u1ed5i PIANO SINGS 2019 \u2013 K\u1ef7 ni\u1ec7m 10 n\u0103m ra m\u1eaft<\/div>\n

Ch\u1ee7 \u0111\u1ec1: PH\u00cdM \u0110\u00c0N THANH XU\u00c2N<\/span> (Springtime Keys)<\/h2>\n
\u0110\u1ea1i h\u1ecdc HOA SEN, 8 Nguy\u1ec5n C\u00f4ng Tr\u00e1ng, P. B\u1ebfn Th\u00e0nh, Q.I, tp. HCM<\/div>\n
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Th\u1ea7y TS \u0110\u1ed7 M\u1ea1nh C\u01b0\u1eddng, \u0111\u1ea1i di\u1ec7n T\u1eadp \u0111o\u00e0n\u00a0Nguy\u1ec5n Ho\u00e0ng trao t\u1eb7ng k\u1ef7 ni\u1ec7m ch\u01b0\u01a1ng v\u00e0 hoa cho \u0111\u1ea1i di\u1ec7n tr\u01b0\u1eddng \u0110\u1ea1i h\u1ecdc Hoa Sen v\u00e0 tr\u01b0\u1eddng \u00c2m nh\u1ea1c B.A.C.H. \u0111\u00e3 c\u00f9ng t\u1ed5 ch\u1ee9c ch\u01b0\u01a1ng tr\u00ecnh Piano Sings n\u00e0y.<\/div>\n
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Ti\u1ebfp \u0111\u1ebfn l\u00e0 ph\u1ea7n vinh danh c\u00e1c t\u00e0i n\u0103ng piano tr\u1ebb v\u00e0 c\u00e1c th\u1ea7y, c\u00f4 \u0111\u00e3 d\u1eabn d\u1eaft c\u00e1c em \u0111\u1ebfn th\u00e0nh c\u00f4ng<\/div>\n
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Th\u1ea7y ThS.KTS T\u1eeb Ph\u00fa \u0110\u1ee9c, Tr\u01b0\u1edfng Khoa TK&NT th\u00e2n t\u1eb7ng b\u1ee9c k\u00fd h\u1ecda cho th\u1ea7y TS \u00c2m nh\u1ea1c Nguy\u1ec5n B\u00e1ch v\u00e0 c\u00f4 ThS \u00c2m nh\u1ea1c \u0110o\u00e0n L\u00ea Thanh T\u00fa tr\u01b0\u1eddng \u00e2m nh\u1ea1c B.A.C.H.<\/p>\n

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B\u00e0i 1: S\u1ebc V\u1ec0 \u0110\u00c2U?\u00a0 [nguy\u00ean t\u00e1c: DONDE VOY] – Tish HINOJOSA \u2013\u00a0<\/strong><\/span><\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0l\u1eddi Vi\u1ec7t, ph\u1ed1i nh\u1ea1c: NGUY\u1ec4N B\u00e1ch \u2013 Bi\u1ec3u di\u1ec5n: Ban h\u1ee3p x\u01b0\u1edbng Su\u1ed1i Vi\u1ec7t\u00a0<\/strong><\/span><\/div>\n
Ca kh\u00fac \u201cDonde voy\u201d (T\u00f4i s\u1ebd \u0111i \u0111\u00e2u?) \u0111\u01b0\u1ee3c n\u1eef nh\u1ea1c s\u0129 Leitica (Tish) Hinojosa (1955) s\u00e1ng t\u00e1c v\u00e0 ph\u1ed5 bi\u1ebfn t\u1eeb n\u0103m 1989. B\u00e0 l\u00e0 ng\u01b0\u1eddi M\u1ef9 g\u1ed1c Mexico, sinh ra \u1edf San Antonio (Texas). Ngu\u1ed3n g\u1ed1c nh\u1eadp c\u01b0 \u0111\u01b0a b\u00e0 t\u1edbi c\u1ea3m gi\u00e1c v\u00f4 \u0111\u1ecbnh, m\u01a1 h\u1ed3 v\u1ec1 t\u01b0\u01a1ng lai v\u00e0 t\u1eeb \u0111\u00f3, c\u00f3 nh\u1eefng ca t\u1eeb nh\u01b0: \u201cT\u00f4i s\u1ebd \u0111i \u0111\u00e2u, v\u1ec1 \u0111\u00e2u? Hy v\u1ecdng l\u00e0 c\u00f9ng \u0111\u00edch c\u1ee7a t\u00f4i. T\u00f4i c\u00f4 \u0111\u01a1n ch\u1ea1y tr\u1ed1n qua sa m\u1ea1c\u201d.<\/span><\/em><\/div>\n
Cho \u0111\u1ebfn nay, tuy \u0111\u00e3 c\u00f3 m\u1ed9t s\u1ed1 ca s\u0129 h\u00e1t l\u1ea1i hay tr\u00ecnh di\u1ec5n ca kh\u00fac n\u00e0y nh\u01b0ng n\u00f3 ch\u01b0a \u0111\u01b0\u1ee3c tr\u00ecnh b\u00e0y d\u01b0\u1edbi h\u00ecnh th\u1ee9c h\u1ee3p x\u01b0\u1edbng. L\u1ea7n \u0111\u1ea7u ti\u00ean t\u1ea1i Vi\u1ec7t Nam, trong ch\u01b0\u01a1ng tr\u00ecnh Ti\u1ebfng d\u01b0\u01a1ng c\u1ea7m h\u00e1t 2019, \u201cPh\u00edm \u0111\u00e0n thanh xu\u00e2n\u201d, s\u00e1ng t\u00e1c n\u00e0y \u0111\u01b0\u1ee3c tr\u00ecnh gi\u1edbi thi\u1ec7u \u0111\u1ebfn kh\u00e1n gi\u1ea3 qua h\u00ecnh th\u1ee9c h\u1ee3p x\u01b0\u1edbng.\u00a0<\/span><\/em><\/div>\n
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Video\u00a0<\/strong>B\u00e0i 1: S\u1ebc V\u1ec0 \u0110\u00c2U?\u00a0 [nguy\u00ean t\u00e1c: DONDE VOY] – Tish HINOJOSA \u2013\u00a0<\/strong><\/span><\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0l\u1eddi Vi\u1ec7t, ph\u1ed1i nh\u1ea1c: NGUY\u1ec4N B\u00e1ch \u2013 Bi\u1ec3u di\u1ec5n: Ban h\u1ee3p x\u01b0\u1edbng Su\u1ed1i Vi\u1ec7t<\/span><\/strong><\/div>\n
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B\u00e0i 2:\u00a0\u00a0<\/span>SONATA No.8 \u201cPath\u00e9tique\u201d in Cm, Mov. III \u201cRondo Allegro\u201d – Ludwig Van BEETHOVEN<\/span><\/strong><\/em><\/div>\n
\u00a0 \u00a0 \u00a0Bi\u1ec3u di\u1ec5n: Ho\u00e0ng Gia Linh, Piano<\/strong><\/em><\/span><\/div>\n
Ludwig van Beethoven v\u00e0 c\u00e2y \u0111\u00e0n piano l\u00e0 hai trong s\u1ed1 nh\u1eefng ph\u1ea9m ch\u1ea5t m\u1edbi c\u1ee7a \u00e2m nh\u1ea1c th\u1ebf gi\u1edbi v\u00e0o th\u1ebf k\u1ef7 XVIII, m\u00e0 ch\u00fang ta quen g\u1ecdi l\u00e0 \u201cnh\u1ea1c Kinh \u0111i\u1ec3n\u201d (Classical). C\u1ea3 hai ph\u1ea9m ch\u1ea5t n\u00e0y \u0111\u1ec1u \u0111\u01b0\u1ee3c th\u1ec3 hi\u1ec7n trong b\u1ea3n Sonata cho piano s\u1ed1 8, gi\u1ecdng Do th\u1ee9, mang t\u00ean \u201cBi th\u01b0\u01a1ng\u201d (Path\u00e9tique). \u0110\u00e2y l\u00e0 m\u1ed9t trong nh\u1eefng t\u00e1c ph\u1ea9m n\u1ed5i ti\u1ebfng nh\u1ea5t c\u1ee7a Beethoven, \u0111\u01b0\u1ee3c vi\u1ebft n\u0103m 1798, l\u00fac n\u1ed5 ra cu\u1ed9c C\u00e1ch m\u1ea1ng Ph\u00e1p. Beethoven s\u00e1ng t\u00e1c t\u1ea5t c\u1ea3 32 sonata. Th\u1ec3 lo\u1ea1i n\u00e0y l\u00e0 c\u1ea5u\u00a0 tr\u00fac \u00e2m nh\u1ea1c n\u1ed5i b\u1eadt nh\u1ea5t c\u1ee7a \u00e2m nh\u1ea1c Kinh \u0111i\u1ec3n.<\/em><\/span><\/div>\n
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Video B\u00e0i 2:\u00a0\u00a0SONATA No.8 \u201cPath\u00e9tique\u201d in Cm, Mov. III \u201cRondo Allegro\u201d\u00a0<\/span><\/strong><\/em><\/div>\n
Ludwig Van BEETHOVEN<\/span><\/strong><\/em><\/div>\n
\u00a0 \u00a0 \u00a0Bi\u1ec3u di\u1ec5n: Ho\u00e0ng Gia Linh, Piano<\/span><\/strong><\/em><\/div>\n
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B\u00e0i 3:\u00a0\u00a0<\/span><\/strong><\/em>RONDO ALLA TURCA \u201cTURKISH MARCH\u201d Piano for 6 hands – Wolfgang Amadeus MOZART – Bi\u1ec3u di\u1ec5n: Tr\u1ea7n Ng\u1ecdc Minh Khu\u00ea, L\u00fd Th\u1ee5y Khu\u00ea Minh, V\u00f5 \u0110\u00f4ng T\u00e2m Anh, Piano Trio<\/em><\/strong><\/span><\/div>\n
Sonata s\u1ed1 11 cho piano gi\u1ecdng La tr\u01b0\u1edfng, K. 331 l\u00e0 m\u1ed9t trong nh\u1eefng b\u1ea3n sonata n\u1ed5i ti\u1ebfng nh\u1ea5t c\u1ee7a nh\u00e0 so\u1ea1n nh\u1ea1c ng\u01b0\u1eddi \u00c1o Wolfgang Amadeus Mozart. N\u00f3 \u0111\u01b0\u1ee3c s\u00e1ng t\u00e1c c\u00f3 l\u1ebd v\u00e0o kho\u1ea3ng n\u0103m 1783. Ch\u01b0\u01a1ng 3 c\u1ee7a s\u00e1ng t\u00e1c n\u00e0y \u0111\u01b0\u1ee3c vi\u1ebft theo h\u00ecnh th\u1ee9c Rondo mang phong c\u00e1ch Th\u1ed5 Nh\u0129 K\u1ef3 v\u00e0 th\u01b0\u1eddng \u0111\u01b0\u1ee3c g\u1ecdi l\u00e0 \u201cH\u00e0nh kh\u00fac Th\u1ed5 Nh\u0129 K\u1ef3\u201d (Turkish March). L\u00fd do c\u1ee7a t\u00ean g\u1ecdi n\u00e0y: T\u00e1c ph\u1ea9m m\u00f4 ph\u1ecfng c\u00f3 s\u00e1ng t\u1ea1o \u00e2m nh\u1ea1c m\u00e0 m\u1ed9t d\u00e0n nh\u1ea1c v\u1ec7 binh c\u1ee7a Th\u1ed5 Nh\u0129 K\u1ef3 sang ch\u00e2u \u00c2u bi\u1ec3u di\u1ec5n, th\u1ee9 \u00e2m nh\u1ea1c r\u1ea5t ph\u1ed5 bi\u1ebfn t\u1ea1i ch\u00e2u \u00c2u th\u1eddi \u0111\u00f3.<\/em><\/span><\/div>\n
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Video B\u00e0i 3:\u00a0\u00a0<\/strong><\/em>RONDO ALLA TURCA \u201cTURKISH MARCH\u201d Piano for 6 hands – Wolfgang Amadeus MOZART – Bi\u1ec3u di\u1ec5n: Tr\u1ea7n Ng\u1ecdc Minh Khu\u00ea, L\u00fd Th\u1ee5y Khu\u00ea Minh, V\u00f5 \u0110\u00f4ng T\u00e2m Anh, Piano Trio<\/em><\/strong><\/span><\/div>\n
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B\u00e0i 4:\u00a0\u00a0<\/span><\/strong><\/em>SAKURA, SAKURA \u2013 Kozaburo Y. HIRAI – Bi\u1ec3u di\u1ec5n: Ch\u1ebf Nguy\u1ec5n H\u1ea1 Thi, Piano<\/em><\/strong><\/span><\/div>\n
\u201cSakura Sakura” l\u00e0 m\u1ed9t b\u00e0i h\u00e1t d\u00e2n ca c\u1ee7a Nh\u1eadt B\u1ea3n mi\u00eau t\u1ea3 m\u00f9a xu\u00e2n, l\u00fac hoa anh \u0111\u00e0o n\u1edf. Hoa anh \u0111\u00e0o, qu\u1ed1c hoa c\u1ee7a \u0111\u1ea5t n\u01b0\u1edbc \u201cm\u1eb7t tr\u1eddi m\u1ecdc\u201d, \u0111\u00e3 tr\u1edf th\u00e0nh m\u1ed9t ngu\u1ed3n c\u1ea3m h\u1ee9ng v\u00f4 b\u1edd c\u1ee7a nhi\u1ec1u nh\u1ea1c s\u0129 Nh\u1eadt. T\u00e1c gi\u1ea3 Kozaburo Y. Hirai (1910-2002) \u0111\u00e3 s\u00e1ng t\u00e1c b\u1ea3n fantasy l\u1ea5y ch\u1ee7 \u0111\u1ec1 t\u1eeb b\u00e0i d\u00e2n ca n\u00e0y. \u00cdt ngh\u1ec7 s\u0129 piano Vi\u1ec7t Nam bi\u1ebft t\u00e1c ph\u1ea9m n\u00e0y v\u00e0 n\u00f3 ch\u1ec9 \u0111\u01b0\u1ee3c bi\u1ec3u di\u1ec5n v\u00e0i l\u1ea7n trong c\u00e1c ch\u01b0\u01a1ng tr\u00ecnh \u00e2m nh\u1ea1c c\u1ee7a Tr\u01b0\u1eddng \u00e2m nh\u1ea1c B.A.C.H.<\/em><\/span><\/div>\n
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Quan kh\u00e1ch \u0111ang th\u01b0\u1edfng th\u1ee9c ch\u01b0\u01a1ng tr\u00ecnh<\/div>\n
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Video B\u00e0i 4:\u00a0\u00a0<\/strong><\/em>SAKURA, SAKURA \u2013 Kozaburo Y. HIRAI\u00a0<\/em><\/strong><\/span><\/div>\n
Bi\u1ec3u di\u1ec5n: Ch\u1ebf Nguy\u1ec5n H\u1ea1 Thi, Piano<\/em><\/strong><\/span><\/div>\n
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B\u00e0i 5. PIANO CONCERTO No.3 in Cm, Op. 37, Mov. III – Ludwig Van BEETHOVEN<\/strong><\/span><\/em>
Bi\u1ec3u di\u1ec5n: \u0110o\u00e0n L\u00ea Thanh T\u00fa, L\u00ea Th\u1ecb Minh Trang, Piano duos<\/strong><\/span><\/em>
Beethoven ch\u1ec9 s\u00e1ng t\u00e1c 5 concerto cho piano nh\u01b0ng t\u1ea5t c\u1ea3 \u0111\u1ec1 l\u00e0 nh\u1eefng t \u00e1c ph\u1ea9m b\u1ea5t h\u1ee7 v\u00e0 lu\u00f4n c\u00f3 trong danh m\u1ee5c bi\u1ec3u di\u1ec5n c\u1ee7a c\u00e1c ngh\u1ec7 s\u0129 piano tr\u00ean th\u1ebf gi\u1edbi. B\u1ea3n \u201cPiano concerto No.3 in Cm\u201d \u0111\u01b0\u1ee3c vi\u1ebft v\u00e0o n\u0103m 1800 khi m\u00e0 b\u1ec7nh \u0111i\u1ebfc \u1edf t\u00e1c gi\u1ea3 \u0111\u00e3 tr\u1edf n\u00ean n\u1eb7ng n\u1ec1. \u0110\u00e2y l\u00e0 b\u1ea3n concerto \u0111\u1ea7u ti\u00ean \u0111\u01b0\u1ee3c vi\u1ebft \u1edf gi\u1ecdng th\u1ee9 v\u00e0 c\u00f3 nh\u1eefng d\u1ea5u hi\u1ec7u \u0111\u1ea7u ti\u00ean cho th\u1ea5y Beethoven t\u00e1ch r\u1eddi kh\u1ecfi khu\u00f4n m\u1eabu c\u1ee7a \u00e2m nh\u1ea1c Classical. T\u00e1c ph\u1ea9m \u0111\u01b0\u1ee3c ch\u00ednh Beethoven bi\u1ec3u di\u1ec5n l\u1ea7n \u0111\u1ea7u ti\u00ean v\u00e0o n\u0103m 1803. L\u00fac \u0111\u00f3, ch\u01b0\u01a1ng III n\u00e0y ch\u01b0a ho\u00e0n t\u1ea5t m\u00e0 \u0111\u01b0\u1ee3c t\u00e1c gi\u1ea3 thi\u00ean t\u00e0i \u201cs\u00e1ng t\u00e1c t\u1ea1i ch\u1ed7\u201d!<\/span><\/em><\/p>\n
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Video B\u00e0i 5.\u00a0PIANO CONCERTO No.3 in Cm, Op. 37, Mov. III<\/span><\/strong><\/em><\/div>\n
Ludwig Van BEETHOVEN<\/span><\/strong><\/em><\/div>\n
Bi\u1ec3u di\u1ec5n: \u0110o\u00e0n L\u00ea Thanh T\u00fa, L\u00ea Th\u1ecb Minh Trang, Piano duos<\/span><\/strong><\/em><\/div>\n
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B\u00e0i 6. CONCERTO FOR HARMONICA, Mov.1 – Michael SPIVAKOVSKY \u2013\u00a0<\/strong><\/span><\/em>
Bi\u1ec3u di\u1ec5n: Ho\u00e0ng M\u1ea1nh H\u00e0, Harmonica\/ Ph\u1ea1m Th\u1ea3o Nguy\u00ean, Piano<\/strong><\/span><\/em>
Michael Spivakovsky (1919-1983) l\u00e0 nh\u00e0 so\u1ea1n nh\u1ea1c, ngh\u1ec7 s\u0129 violin v\u00e0 nh\u1ea1c tr\u01b0\u1edfng ng\u01b0\u1eddi Anh g\u1ed1c Nga. Tuy c\u00f3 m\u1ed9t s\u1ed1 t\u00e1c ph\u1ea9m \u0111\u01b0\u1ee3c nhi\u1ec1u ngh\u1ec7 s\u0129 v\u00e0 d\u00e0n nh\u1ea1c th\u1ebf gi\u1edbi d\u00e0n d\u1ef1ng, nh\u01b0ng s\u00e1ng t\u00e1c l\u00e0m n\u00ean t\u00ean tu\u1ed5i \u00f4ng l\u00e0 \u201cConcerto cho harmonica\u201d \u0111\u00e3 \u0111\u01b0\u1ee3c ngh\u1ec7 s\u0129 Tommy Reilly bi\u1ec3u di\u1ec5n l\u1ea7n \u0111\u1ea7u v\u1edbi d\u00e0n nh\u1ea1c c\u1ee7a \u0110\u00e0i ph\u00e1t thanh London v\u00e0o n\u0103m 1951.<\/span><\/em><\/p>\n

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Video B\u00e0i 6.\u00a0CONCERTO FOR HARMONICA, Mov.1<\/span><\/strong><\/em><\/div>\n
Michael SPIVAKOVSKY<\/span><\/strong><\/em><\/div>\n
Bi\u1ec3u di\u1ec5n: Ho\u00e0ng M\u1ea1nh H\u00e0, Harmonica\/ Ph\u1ea1m Th\u1ea3o Nguy\u00ean, Piano<\/span><\/strong><\/em><\/div>\n
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B\u00e0i 7. CHAMPAGNE TOCCATA – William GILLOCK<\/span><\/em><\/strong>
Bi\u1ec3u di\u1ec5n: \u0110o\u00e0n L\u00ea Thanh T\u00fa, L\u00ea Th\u1ecb Minh Trang, Th\u1ea1ch Th\u00e1i \u0110\u1ed7 Quy\u00ean, Nguy\u1ec5n Th\u1ecb Kim Ng\u00e2n, Piano Quatro<\/span><\/em><\/strong>
William Gillock (1917-1993) l\u00e0 so\u1ea1n nh\u1ea1c ng\u01b0\u1eddi M\u1ef9, n\u1ed5i ti\u1ebfng v\u1ec1 d\u1ea1y nh\u1ea1c v\u00e0 s\u00e1ng t\u00e1c nh\u1eefng t\u00e1c ph\u1ea9m tuy\u1ec7t v\u1eddi, v\u1edbi giai \u0111i\u1ec7u tuy\u1ec7t \u0111\u1eb9p cho thi\u1ebfu nhi. Ng\u01b0\u1eddi ta g\u1ecdi \u00f4ng l\u00e0 \u201cSchubert trong s\u1ed1 c\u00e1c nh\u00e0 so\u1ea1n nh\u1ea1c cho thi\u1ebfu nhi\u201d. T\u00e1c ph\u1ea9m “Champagne Toccata\u201d c\u1ee7a \u00f4ng l\u1ea1i \u0111\u01b0\u1ee3c vi\u1ebft \u0111\u1ec3 bi\u1ec3u di\u1ec5n v\u1edbi 4 ngh\u1ec7 s\u0129 piano (8 tay \u0111\u00e0n), mang nhi\u1ec1u \u00e2m thanh l\u1ea1, pha\u00a0 tr\u1ed9n nh\u1eefng giai \u0111i\u1ec7u \u0111\u1eb9p v\u1edbi nh\u1eefng ti\u1ebfng v\u1ee1 c\u1ee7a b\u1ecdt n\u01a1i r\u01b0\u1ee3u champagne \u0111\u01b0\u1ee3c r\u00f3t ra. S\u00e1ng t\u00e1c n\u00e0y r\u1ea5t n\u1ed5i ti\u1ebfng, th\u01b0\u1eddng xuy\u00ean n\u1eb1m trong danh m\u1ee5c bi\u1ec3u di\u1ec5n c\u1ee7a c\u00e1c t\u1ed5 ch\u1ee9c \u00e2m nh\u1ea1c t\u1ea1i Hoa K\u1ef3.<\/span><\/em><\/p>\n

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Video B\u00e0i 7. CHAMPAGNE TOCCATA – William GILLOCK<\/span><\/em><\/strong><\/div>\n
Bi\u1ec3u di\u1ec5n: \u0110o\u00e0n L\u00ea Thanh T\u00fa, L\u00ea Th\u1ecb Minh Trang,\u00a0<\/span><\/em><\/strong><\/div>\n
Th\u1ea1ch Th\u00e1i \u0110\u1ed7 Quy\u00ean, Nguy\u1ec5n Th\u1ecb Kim Ng\u00e2n, Piano Quatro<\/span><\/em><\/strong><\/div>\n
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B\u00e0i 8. PIRATES OF THE CARIBBEAN – Hans ZIMMER\/ chuy\u1ec3n so\u1ea1n: HO\u00c0NG M\u1ea1nh H\u00e0<\/strong><\/span><\/em>
Bi\u1ec3u di\u1ec5n: Viet Nam Harmonica Orchestra<\/strong><\/span><\/em>
Hans Florian Zimmer (1957) l\u00e0 m\u1ed9t nh\u00e0 so\u1ea1n nh\u1ea1c v\u00e0 nh\u00e0 s\u1ea3n xu\u1ea5t \u00e2m nh\u1ea1c ng\u01b0\u1eddi \u0110\u1ee9c. T\u1eeb nh\u1eefng n\u0103m 1980 \u0111\u1ebfn nay, \u00f4ng \u0111\u00e3 s\u00e1ng t\u00e1c nh\u1ea1c cho h\u01a1n 150 b\u1ed9 phim. C\u00e1c t\u00e1c ph\u1ea9m c\u1ee7a \u00f4ng bao g\u1ed3m ph\u1ea7n nh\u1ea1c phim cho The Lion King, t\u00e1c ph\u1ea9m gi\u00fap \u00f4ng \u0111\u01b0\u1ee3c trao gi\u1ea3i Gi\u1ea3i Oscar cho nh\u1ea1c phim hay nh\u1ea5t n\u0103m 1994, b\u1ed9 ba Pirates of the Caribbean. Ngay t\u1eeb b\u1ed9 phim \u0111\u1ea7u ti\u00ean v\u1ec1 c\u01b0\u1edbp bi\u1ec3n Caribbea, \u201cL\u1eddi nguy\u1ec1n c\u1ee7a t\u00e0u Ng\u1ecdc trai \u0111en\u201d, Hans Zimmer \u0111\u00e3 kh\u00f4ng c\u00f3 \u00fd \u0111\u1ecbnh nh\u1eadn l\u1eddi vi\u1ebft nh\u1ea1c cho phim n\u00e0y v\u00ec \u00f4ng kh\u00f4ng t\u00ecm th\u1ea5y c\u1ea3m h\u1ee9ng t\u1eeb c\u00e1c nh\u00e2n v\u1eadt v\u00e0 c\u1ed1t truy\u1ec7n.<\/span><\/em><\/p>\n

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Video B\u00e0i 8. PIRATES OF THE CARIBBEAN – Hans ZIMMER<\/span><\/strong><\/em><\/div>\n
Chuy\u1ec3n so\u1ea1n: HO\u00c0NG M\u1ea1nh H\u00e0<\/span><\/strong><\/em><\/div>\n
Bi\u1ec3u di\u1ec5n: Viet Nam Harmonica Orchestra<\/span><\/strong><\/em><\/div>\n
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B\u00e0i\u00a09. MARCHE MILITAIRE – Franz SCHUBERT\u00a0<\/strong><\/span><\/em>
Bi\u1ec3u di\u1ec5n: Ph\u1ea1m Trung Qu\u00e2n, Ng\u00f4 L\u00ea Minh, Piano Duos<\/strong><\/span><\/em>
M\u1eb7c d\u00f9 \u0111\u01b0\u1ee3c m\u1ec7nh danh l\u00e0 \u201cVua ca kh\u00fac\u201d (nh\u1eefng ca kh\u00fac ngh\u1ec7 thu\u1eadt, art song) nh\u01b0ng c\u0169ng nh\u01b0 nh\u1eefng nh\u1ea1c s\u0129 \u0111\u01b0\u01a1ng th\u1eddi, \u00f4ng c\u0169ng s\u00e1ng t\u00e1c m\u1ed9t s\u1ed1 h\u00e0nh kh\u00fac v\u00ec d\u1ec5 ph\u1ed5 bi\u1ebfn, tr\u00ecnh di\u1ec5n trong nh\u00e0 h\u00e1t c\u0169ng nh\u01b0 ngo\u00e0i tr\u1eddi. \u201cMarche militaire\u201d l\u00e0 m\u1ed9t b\u1ed9 g\u1ed3m 3 t\u00e1c ph\u1ea9m \u0111\u01b0\u1ee3c Schubert s\u00e1ng t\u00e1c v\u00e0 o kho\u1ea3ng n\u0103m 1818 \u0111\u1ebfn 1822, cho 4 tay \u0111\u00e0n piano. T\u00e1c ph\u1ea9m n\u00e0y \u0111\u01b0\u1ee3c ph\u1ed5 bi\u1ebfn nhi\u1ec1u v\u00e0 c\u1ea3i bi\u00ean cho d\u00e0n nh\u1ea1c.<\/span><\/em><\/p>\n

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Video B\u00e0i\u00a09.\u00a0MARCHE MILITAIRE – Franz SCHUBERT\u00a0<\/span><\/strong><\/em><\/div>\n
Bi\u1ec3u di\u1ec5n: Ph\u1ea1m Trung Qu\u00e2n, Ng\u00f4 L\u00ea Minh, Piano Duos<\/span><\/strong><\/em><\/div>\n
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B\u00e0i\u00a0<\/span><\/em>10. LE LAC DE C\u00d4ME – Giselle GALOS<\/em><\/span><\/strong>
Bi\u1ec3u di\u1ec5n: Nguy\u1ec5n Ng\u1ecdc Kh\u00e1nh Qu\u1ef3nh, Piano<\/em><\/span><\/strong>
Trong \u00e2m nh\u1ea1c Kinh \u0111i\u1ec3n c\u00f3 r\u1ea5t \u00edt nh\u00e0 so\u1ea1n nh\u1ea1c n\u1eef. Giselle Galos l\u00e0 m\u1ed9t tr\u01b0\u1eddng h\u1ee3p \u1ea9n danh \u0111\u1eb7c bi\u1ec7t c\u1ee7a \u00e2m nh\u1ea1c th\u1ebf k\u1ef7 XIX. Do vi\u1ec7c b\u00e0 d\u00f9ng b\u00fat danh C. Galos cho s\u00e1ng t\u00e1c c\u1ee7a m\u00ecnh n\u00ean ng\u01b0\u1eddi ta \u0111\u00e3 t\u1eebng ngh\u0129 t\u00e1c gi\u1ea3 c\u1ee7a \u201cLe Lac de C\u00f4me\u201d l\u00e0 \u0111\u00e0n \u00f4ng. Ng\u01b0\u1eddi ta c\u0169ng kh\u00f4ng r\u00f5 ngu\u1ed3n g\u1ed1c c\u1ee7a b\u00e0 l\u00e0 ng\u01b0\u1eddi Ph\u00e1p hay \u00dd. B\u1edfi, nh\u01b0 t\u00ean g\u1ecdi c\u1ee7a t\u00e1c ph\u1ea9m \u0111\u01b0\u1ee3c bi\u1ebft \u0111\u1ebfn nhi\u1ec1u nh\u1ea5t c\u1ee7a Galos, \u201cLe lac de C\u00f4me\u201d (H\u1ed3 Como), th\u00ec d\u00f9ng ti\u1ebfng Ph\u00e1p cho m\u1ed9t \u0111\u1ecba danh c\u1ee7a \u00dd.<\/em><\/span><\/p>\n

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Video B\u00e0i\u00a0<\/em>10.\u00a0LE LAC DE C\u00d4ME – Giselle GALOS<\/em><\/span><\/strong><\/div>\n
Bi\u1ec3u di\u1ec5n: Nguy\u1ec5n Ng\u1ecdc Kh\u00e1nh Qu\u1ef3nh, Piano<\/span><\/em><\/strong><\/div>\n
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B\u00e0i\u00a011. POLONAISE \u201cHeroic\u201d in A-flat major, op. 53 – Fr\u00e9d\u00e9ric CHOPIN\u00a0<\/strong><\/em><\/span>
Bi\u1ec3u di\u1ec5n: \u0110inh V\u00e2n Khanh, Piano<\/strong><\/em><\/span>
\u0110\u00e2y l\u00e0 m\u1ed9t trong nh\u1eefng s\u00e1ng t\u00e1c \u0111\u01b0\u1ee3c y\u00eau th\u00edch nh\u1ea5t c\u1ee7a nh\u00e0 so\u1ea1n nh\u1ea1c ng\u01b0\u1eddi Ba Lan, Fr\u00e9d\u00e9ric Chopin (1810-1849), \u0111\u01b0\u1ee3c \u00f4ng s\u00e1ng t\u00e1c v\u00e0o n\u0103m 1842 trong giai \u0111o\u1ea1n r\u1eddi b\u1ecf qu\u00ea m\u1eb9 \u0111\u1ec3 sang s\u1ed1ng t\u1ea1i qu\u00ea cha \u1edf Paris. \u00c2m nh\u1ea1c c\u1ee7a b\u1ea3n polonaise n\u00e0y l\u00e0m ng\u01b0\u1eddi nghe, \u0111\u1eb7c bi\u1ec7t n\u1eef v\u0103n s\u0129 George Sand li\u00ean t\u01b0\u1edfng \u0111\u1ebfn c\u1ee7a C\u00e1ch m\u1ea1ng Ph\u00e1p 1848 n\u00ean ng\u01b0\u1eddi ta g\u1eafn cho n\u00f3 t\u00ean g\u1ecdi \u201cHeroic\u201d (Anh h\u00f9ng). Th\u1eadt ra \u0111\u1ed1i v\u1edbi Chopin, \u0111\u00f3 l\u00e0 m\u1ed9t \u0111i\u1ec1u mi\u1ec5n c\u01b0\u1ee1ng. Ch\u00ednh \u00f4ng bi\u1ec3u di\u1ec5n t\u00e1c ph\u1ea9m n\u00e0y m\u1ed9t c\u00e1ch ch\u1eadm r\u00e3i, d\u1ecbu d\u00e0ng h\u01a1n ai h\u1ebft.<\/em><\/span><\/p>\n

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Video B\u00e0i\u00a011.\u00a0POLONAISE \u201cHeroic\u201d in A-flat major, op. 53<\/span><\/strong><\/em><\/div>\n
Fr\u00e9d\u00e9ric CHOPIN\u00a0<\/span><\/strong><\/em><\/div>\n
Bi\u1ec3u di\u1ec5n: \u0110inh V\u00e2n Khanh, Piano<\/span><\/strong><\/em><\/div>\n
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B\u00e0i\u00a012. THU V\u00c0NG – nguy\u00ean t\u00e1c: CUNG Ti\u1ebfn; ph\u1ed1i nh\u1ea1c: NGUY\u1ec4N B\u00e1ch<\/strong><\/em><\/span>
Bi\u1ec3u di\u1ec5n: Ph\u1ea1m \u0110an Qu\u1ebf, Accordion \/ Nguy\u1ec5n Th\u1ecb Kim Ng\u00e2n, Piano<\/strong><\/em><\/span>
\u201cThu v\u00e0ng\u201d l\u00e0\u00a0 m\u1ed9t trong s\u1ed1 r\u1ea5t \u00edt ca kh\u00fac do nh\u1ea1c s\u0129 Cung Ti\u1ebfn (1938) s\u00e1ng t\u00e1c. Tuy c\u00f3 \u00edt, nh\u01b0ng c\u00e1c ca kh\u00fac c\u1ee7a \u00f4ng \u0111\u1ec1u \u0111\u01b0\u1ee3c x\u1ebfp v\u00e0o h\u00e0ng ca kh\u00fac ngh\u1ec7 thu\u1eadt (art songs) b\u1ea5t h\u1ee7 c\u1ee7a T\u00e2n nh\u1ea1c Vi\u1ec7t Nam. Tr\u1eeb b\u00e0i \u201cHo\u00e0i c\u1ea3m\u201d \u0111\u01b0\u1ee3c vi\u1ebft khi \u00f4ng m\u1edbi kho\u1ea3ng 14-15 tu\u1ed5i, th\u00ec \u201cThu v\u00e0ng\u201d v\u00e0 nh\u1eefng ca kh\u00fac c\u00f2n l\u1ea1i \u0111\u01b0\u1ee3c vi\u1ebft sau n\u0103m 1954. Tuy t\u1ef1 nh\u1eadn l\u00e0 \u201cnghi\u1ec7p d\u01b0 trong \u00e2m nh\u1ea1c\u201d nh\u01b0ng t\u1eeb nh\u1eefng ca kh\u00fac c\u1ee7a \u00f4ng ng\u01b0\u1eddi ta th\u1ea5y \u0111\u01b0\u1ee3c t\u00ednh ngh\u1ec7 thu\u1eadt \u0111\u1eadm n\u00e9t c\u1ee7a t\u00e1c gi\u1ea3. \u00d4ng \u0111\u00e3 t\u1eebng l\u00e0 h\u1ed9i vi\u00ean c\u1ee7a h\u1ed9i nh\u1ea1c s\u0129 s\u00e1ng t\u00e1c \u1edf Mineapolis (ti\u1ec3u bang Minnesota, USA).<\/em><\/span><\/p>\n

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Video B\u00e0i\u00a0<\/strong><\/em><\/em>12. THU V\u00c0NG – nguy\u00ean t\u00e1c: CUNG Ti\u1ebfn; ph\u1ed1i nh\u1ea1c: NGUY\u1ec4N B\u00e1ch<\/strong><\/em><\/span><\/p>\n
Bi\u1ec3u di\u1ec5n: Ph\u1ea1m \u0110an Qu\u1ebf, Accordion \/ Nguy\u1ec5n Th\u1ecb Kim Ng\u00e2n, Piano<\/strong><\/em><\/span><\/div>\n
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B\u00e0i\u00a013.\u00a0DANSE MACABRE – Camille SAINT-SA\u00cbNS<\/strong><\/em><\/span>
Bi\u1ec3u di\u1ec5n: Th\u1ea1ch Th\u00e1i \u0110\u1ed7 Quy\u00ean, L\u00ea Th\u1ecb Minh Trang, Piano Duos<\/strong><\/em><\/span>
\u201cDanse macabre\u201d (V\u0169 \u0111i\u1ec7u th\u1ea7n Ch\u1ebft) l\u00e0 m\u1ed9t th\u01a1 giao h\u01b0\u1edfng (symphonic poem) c\u1ee7a nh\u00e0 so\u1ea1n nh\u1ea1c ng\u01b0\u1eddi Ph\u00e1p, Camille Saint-S\u00e4ens (1835-1921). S\u00e1ng t\u00e1c d\u1ef1a tr\u00ean m\u1ed9t b\u00e0i th\u01a1 c\u1ee7a thi s\u0129 ng\u01b0\u1eddi Ph\u00e1p Henri Cazalis, c\u00f3 c\u1ed1t truy\u1ec7n d\u1ef1a v\u00e0o s\u1ef1 m\u00ea t\u00edn c\u1ee7a ng\u01b0\u1eddi Ph\u00e1p, c\u00f3 ngu\u1ed3n g\u1ed1c t\u1eeb xa x\u01b0a: c\u00e1i ch\u1ebft xu\u1ea5t hi\u1ec7n l\u00fac n\u1eeda \u0111\u00eam v\u00e0o d\u1ecbp Halloween m\u1ed7i n\u0103m. C\u00e1i ch\u1ebft c\u00f3 s\u1ee9c m\u1ea1nh g\u1ecdi nh\u1eefng ng\u01b0\u1eddi \u0111\u00e3 ch\u1ebft \u1edf trong nh\u1eefng n\u1ea5m m\u1ed3 \u0111\u1ec3 nh\u1ea3y m\u00faa c\u00f9ng n\u00f3. T\u1ea5t c\u1ea3 \u0111\u1ec1u nh\u1ea3y m\u00faa cho \u0111\u1ebfn l\u00fac b\u00ecnh minh. Nh\u1eefng ng\u01b0\u1eddi \u0111\u00e3 ch\u1ebft l\u1ea1i tr\u1edf v\u1ec1 v\u1edbi n\u1ea5m m\u1ed3 ch\u1edd Halloween n\u0103m sau.<\/em><\/span><\/p>\n

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Video B\u00e0i\u00a0<\/strong><\/em><\/em>13.\u00a0DANSE MACABRE – Camille SAINT-SA\u00cbNS<\/strong><\/em><\/span><\/p>\n
Bi\u1ec3u di\u1ec5n: Th\u1ea1ch Th\u00e1i \u0110\u1ed7 Quy\u00ean, L\u00ea Th\u1ecb Minh Trang, Piano Duos<\/strong><\/em><\/span><\/div>\n
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B\u00e0i\u00a014.\u00a0YOU RAISE ME UP – Rolf LOVLAND, Brendan GRAHAM; Ph\u1ed1i \u00e2m: NGUY\u1ec4N B\u00e1ch<\/strong><\/em><\/span>
Bi\u1ec3u di\u1ec5n: Ban h\u1ee3p x\u01b0\u1edbng Su\u1ed1i Vi\u1ec7t<\/strong><\/em><\/span>
“You Raise Me Up” l\u00e0 m\u1ed9t b\u00e0i h\u00e1t v\u1edbi ph\u1ea7n nh\u1ea1c c\u1ee7a Rolf L\u00f8vland c\u00f2n ph\u1ea7n l\u1eddi c\u1ee7a Brendan Graham thu\u1ed9c nh\u00f3m nh\u1ea1c Secret Garden. Khi \u0111\u01b0\u1ee3c bi\u1ec3u di\u1ec5n v\u00e0o \u0111\u1ea7u n\u0103m 2002 b\u1edfi Secret Garden, ca kh\u00fac kh\u00f4ng c\u00f3 m\u1ea5y ti\u1ebfng vang. Nh\u01b0ng sau \u0111\u00f3 b\u00e0i h\u00e1t \u0111\u00e3 \u0111\u01b0\u1ee3c tr\u00ean m\u1ed9t tr\u0103m ngh\u1ec7 s\u0129 thu \u00e2m trong \u0111\u00f3 c\u00f3 Josh Groban, ng\u01b0\u1eddi \u0111\u00e3 g\u00f3p ph\u1ea7n ph\u1ed5 bi\u1ebfn ca kh\u00fac v\u00e0o n\u0103m 2003; b\u1ea3n thu c\u1ee7a anh tr\u1edf th\u00e0nh hit \u1edf Hoa K\u1ef3. Ban nh\u1ea1c ng\u01b0\u1eddi Ireland Westlife \u0111\u00e3 gi\u00fap ph\u1ed5 bi\u1ebfn ca kh\u00fac n\u00e0y t\u1ea1i V\u01b0\u01a1ng qu\u1ed1c Anh hai n\u0103m sau \u0111\u00f3. “You Raise Me Up” th\u01b0\u1eddng \u0111\u01b0\u1ee3c bi\u1ec3u di\u1ec5n d\u01b0\u1edbi d\u1ea1ng m\u1ed9t b\u00e0i th\u00e1nh ca.<\/em><\/span><\/p>\n

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Video\u00a0<\/em>B\u00e0i\u00a014.\u00a0YOU RAISE ME UP – Rolf LOVLAND, Brendan GRAHAM<\/em><\/span><\/strong><\/div>\n
Ph\u1ed1i \u00e2m: NGUY\u1ec4N B\u00e1ch<\/em><\/span><\/strong><\/div>\n
Bi\u1ec3u di\u1ec5n: Ban h\u1ee3p x\u01b0\u1edbng Su\u1ed1i Vi\u1ec7t<\/span><\/strong><\/em><\/p>\n
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Khoa Thi\u1ebft K\u1ebf v\u00e0 Ngh\u1ec7 Thu\u1eadt tr\u01b0\u1eddng \u0110\u1ea1i h\u1ecdc Hoa Sen xin c\u1ea3m \u01a1n qu\u00fd th\u1ea7y, c\u00f4 v\u00e0 h\u1ecdc vi\u00ean tr\u01b0\u1eddng \u00c2m nh\u1ea1c B.A.C.H. \u0111\u00e3 c\u00f9ng ph\u1ed1i h\u1ee3p t\u1ed5 ch\u1ee9c th\u00e0nh c\u00f4ng ch\u01b0\u01a1ng tr\u00ecnh Piano Sings 2019 t\u1ea1i \u0110\u1ea1i h\u1ecdc Hoa Sen l\u1ea7n th\u1ee9 8 n\u00e0y.<\/span><\/em><\/div>\n<\/div>\n
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\"Album<\/a><\/div>\n
\"2019<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u0110\u00eam 12\/09\/2019, Khoa Thi\u1ebft K\u1ebf & Ngh\u1ec7 Thu\u1eadt, \u0110\u1ea1i h\u1ecdc Hoa Sen v\u00e0 Tr\u01b0\u1eddng \u00c2m Nh\u1ea1c B.A.C.H. t\u1ed5 ch\u1ee9c bu\u1ed5i PIANO SINGS 2019 \u2013 K\u1ef7 ni\u1ec7m 10 n\u0103m ra m\u1eaft Ch\u1ee7 \u0111\u1ec1: PH\u00cdM \u0110\u00c0N THANH XU\u00c2N (Springtime Keys) \u0110\u1ea1i h\u1ecdc HOA SEN, 8 Nguy\u1ec5n C\u00f4ng Tr\u00e1ng, P. B\u1ebfn Th\u00e0nh, Q.I, tp. HCM<\/p>\n","protected":false},"author":1,"featured_media":2669,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,1],"tags":[85,395],"acf":[],"_links":{"self":[{"href":"https:\/\/ntc33.net\/tknt\/wp-json\/wp\/v2\/posts\/2597"}],"collection":[{"href":"https:\/\/ntc33.net\/tknt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ntc33.net\/tknt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ntc33.net\/tknt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ntc33.net\/tknt\/wp-json\/wp\/v2\/comments?post=2597"}],"version-history":[{"count":1,"href":"https:\/\/ntc33.net\/tknt\/wp-json\/wp\/v2\/posts\/2597\/revisions"}],"predecessor-version":[{"id":2668,"href":"https:\/\/ntc33.net\/tknt\/wp-json\/wp\/v2\/posts\/2597\/revisions\/2668"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ntc33.net\/tknt\/wp-json\/wp\/v2\/media\/2669"}],"wp:attachment":[{"href":"https:\/\/ntc33.net\/tknt\/wp-json\/wp\/v2\/media?parent=2597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ntc33.net\/tknt\/wp-json\/wp\/v2\/categories?post=2597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ntc33.net\/tknt\/wp-json\/wp\/v2\/tags?post=2597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}