https:\/\/forms.gle\/8MoGmGoDemiBRRWs8<\/a><\/p>\n<\/h3>\n\u0110\u1ed0I T\u01af\u1ee2NG THAM D\u1ef0:<\/h3>\n
Sinh vi\u00ean, nh\u00e0 nghi\u00ean c\u1ee9u, nh\u00e0 gi\u00e1o d\u1ee5c, nh\u1ea1c s\u0129, nh\u00e0 t\u00e2m l\u00fd, chuy\u00ean gia C\u00f4ng t\u00e1c x\u00e3 h\u1ed9i, th\u1ea7y\/c\u00f4 gi\u00e1o v\u00e0 h\u1ecdc sinh PTTH v\u00e0 c\u00e1 nh\u00e2n quan t\u00e2m v\u1ec1 \u00e2m nh\u1ea1c trong v\u00e0 ngo\u00e0i c\u1ed9ng \u0111\u1ed3ng HSU.<\/p>\n
S\u01a0 L\u01af\u1ee2C V\u1ec0 DI\u1ec4N GI\u1ea2:<\/h3>\n
Brian Kilp l\u00e0 gi\u00e1o s\u01b0 \u00e2m nh\u1ea1c thu\u1ed9c Tr\u01b0\u1eddng \u00c2m nh\u1ea1c, \u0110\u1ea1i h\u1ecdc Indiana State (ISU). \u00d4ng l\u00e0 \u0111i\u1ec1u ph\u1ed1i vi\u00ean Ban h\u1ecdc thu\u1eadt v\u00e0 C\u1ed1 v\u1ea5n h\u1ecdc t\u1eadp. \u00d4ng c\u0169ng l\u00e0 th\u00e0nh vi\u00ean c\u1ee7a Ban Nh\u1ea1c Faculty Brass v\u00e0 Woodwind Quintests c\u1ee7a Indiana State University. GS.TS. Brian Kilp l\u00e0 ng\u01b0\u1eddi c\u00f3 nhi\u1ec1u n\u0103m kinh nghi\u1ec7m l\u00e0m vi\u1ec7c qu\u1ed1c t\u1ebf v\u00e0 kh\u00f4ng ng\u1eebng th\u00fac \u0111\u1ea9y h\u1ee3p t\u00e1c qu\u1ed1c t\u1ebf gi\u1eefa c\u00e1c tr\u01b0\u1eddng \u0111\u1ea1i h\u1ecdc tr\u00ean th\u1ebf gi\u1edbi qua bi\u1ec3u di\u1ec5n, c\u1ea5p h\u1ecdc b\u1ed5ng, trao \u0111\u1ed5i gi\u1ea3ng vi\u00ean, sinh vi\u00ean, gi\u1ea3ng d\u1ea1y v\u00e0 t\u1ed5 ch\u1ee9c c\u00e1c kh\u00f3a h\u1ecdc h\u00e8 \u1edf n\u01b0\u1edbc ngo\u00e0i cho sinh vi\u00ean v\u00e0 gi\u1ea3ng vi\u00ean c\u00e1c chuy\u00ean ng\u00e0nh, ISU.<\/p>\n
Brian Kilp is a tenured Professor of Music at the Indiana State University School of Music. He is coordinator of the Academic Division, and an Academic Advisor. He also is a member of the Indiana State University Faculty Brass and Woodwind Quintets. His assigned duties have included teaching in the horn studio and academic courses. He is also an active in promoting international collaboration, performances, scholarship, and International faculty-led student travel experiences.<\/em><\/p>\nT\u00d3M T\u1eaeT N\u1ed8I DUNG:<\/h3>\n
B\u00e0i thuy\u1ebft tr\u00ecnh n\u00e0y trao \u0111\u1ed5i v\u1ec1 100 n\u0103m \u00e2m nh\u1ea1c n\u1ed5i ti\u1ebfng c\u1ee7a M\u1ef9 v\u00e0 qu\u1ed1c t\u1ebf, bao g\u1ed3m: nh\u1ea1c Pop, c\u00e1c nh\u1ea1c c\u1ee5 ph\u1ed5 bi\u1ebfn, v\u1ec1 c\u00e1c ca s\u0129, ca s\u0129 v\u1edbi t\u01b0 c\u00e1ch l\u00e0 ngh\u1ec7 s\u0129 v\u00e0 c\u00e1c fan h\u00e2m m\u1ed9. B\u00e0i thuy\u1ebft tr\u00ecnh c\u0169ng n\u00f3i v\u1ec1 ng\u00e0nh thu \u00e2m v\u00e0 ng\u00e0nh ti\u1ebfp th\u1ecb \u00e2m nh\u1ea1c, v\u1ec1 ph\u00e1t thanh, truy\u1ec1n h\u00ecnh, kh\u00eda c\u1ea1nh kinh doanh \u00e2m nh\u1ea1c, vi\u1ec7c l\u01b0u di\u1ec5n c\u1ee7a c\u00e1c ngh\u1ec7 s\u0129 v\u00e0 cu\u1ed9c s\u1ed1ng c\u1ee7a h\u1ecd. T\u1ea5t c\u1ea3 \u0111i\u1ec1u n\u00e0y \u0111\u1ec1u \u1ea3nh h\u01b0\u1edfng \u0111\u1ebfn s\u1ef1 ph\u00e1t tri\u1ec3n v\u00e0 nh\u1eefng thay \u0111\u1ed5i trong d\u00f2ng nh\u1ea1c Pop.<\/p>\n
Bu\u1ed5i n\u00f3i chuy\u1ec7n c\u0169ng t\u1eadp trung v\u00e0o ngu\u1ed3n g\u1ed1c c\u1ee7a nh\u1ea1c Pop \u1edf M\u1ef9 v\u00e0 c\u00e1ch n\u00f3 bi\u1ebfn \u0111\u1ed5i trong nh\u1eefng n\u0103m qua. Ch\u00fang ta c\u0169ng s\u1ebd th\u1ea5y nh\u1ea1c Pop \u0111i c\u00f9ng v\u1edbi c\u00e1c v\u1ea5n \u0111\u1ec1 v\u0103n h\u00f3a, ch\u00ednh tr\u1ecb v\u00e0 x\u00e3 h\u1ed9i, v\u1ea5n \u0111\u1ec1 v\u1ec1 ch\u1ee7ng t\u1ed9c, giai c\u1ea5p, gi\u1edbi t\u00ednh, s\u1ef1 ph\u00e1t tri\u1ec3n c\u1ee7a kinh doanh \u00e2m nh\u1ea1c v\u00e0 s\u1ef1 ph\u00e1t tri\u1ec3n c\u1ee7a c\u00f4ng ngh\u1ec7.<\/p>\n
Ng\u00e0y nay, nh\u1ea1c Pop kh\u00f4ng ng\u1eebng bi\u1ebfn chuy\u1ec3n. Ch\u00fang ta c\u0169ng s\u1ebd th\u1ea3o lu\u1eadn v\u1ec1 c\u00e1c qu\u1ed1c gia kh\u00e1c tr\u00ean th\u1ebf gi\u1edbi \u0111\u00e3 b\u1eaft \u0111\u1ea7u \u0111\u00f3ng g\u00f3p v\u00e0o b\u1ee9c tranh chung c\u1ee7a d\u00f2ng nh\u1ea1c Pop trong th\u1eddi \u0111\u1ea1i ng\u00e0y nay. Cu\u1ed1i c\u00f9ng, b\u00e0i n\u00f3i chuy\u1ec7n n\u00f3i v\u1ec1 m\u1ed9t s\u1ed1 ngh\u1ec7 s\u0129 n\u1ed5i b\u1eadt, c\u00e1ch h\u1ecd ch\u01a1i nh\u1ea1c qua nhi\u1ec1u th\u00e2p k\u1ef7 v\u00e0 th\u1eddi \u0111\u1ea1i, kh\u00e1n gi\u1ea3 s\u1ebd c\u00f3 c\u01a1 h\u1ed9i \u0111\u01b0\u1ee3c nghe nh\u1eefng t\u00e1c ph\u1ea9m \u00e2m nh\u1ea1c n\u1ed5i ti\u1ebfng trong 100 n\u0103m qua.<\/p>\n
This presentation will cover about 100 years of the American and international popular music, including popular music, the more common instruments used and discussing singers and singers as artists, and listeners as fans. The presentation also talks a little bit about the recording industry and the marketing industry, about the how radio, TV, the music business and touring aspect of artists and their lives and how that affected the changes in popular music as it develop and diversified.<\/em><\/p>\nThe talk will discuss the focus on the roots of American popular music and how they\u2019ve transformed over the years. We will also see popular music in the context of Social, political, and cultural issues, Issues of race, class, and gender, the development of the music business, and the development of technology<\/p>\n
Pop music is still undergoing constant change. We will also discuss other countries that began to contribute, which significantly altered the landscape of popular music then as do others in the present-day. As move along, the presentation will point out some of the more significant artists and play music of many times and eras, so that the audience will get to hear examples of about 100 years of popular music.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
TH\u01af M\u1edcI THAM D\u1ef0 SEMINAR Ch\u1ee7 \u0111\u1ec1: 100 Years of Musical Highlights from Tin Pan Alley to Maroon 5 (T\u1ea1m d\u1ecbch: Nh\u1eefng Th\u00e0nh T\u1ef1u N\u1ed5i B\u1eadt c\u1ee7a \u00c2m Nh\u1ea1c Th\u1ebf Gi\u1edbi 100 N\u0103m qua, T\u1eeb Nh\u1ea1c s\u0129 Tin Pan Alley cho t\u1edbi Nh\u00f3m Nh\u1ea1c N\u1ed5i Ti\u1ebfng Maroon 5) \u00a0 Ban t\u1ed5 ch\u1ee9c B\u1ed9 m\u00f4n Gi\u00e1o D\u1ee5c Khai Ph\u00f3ng (GDKP), Khoa KHXH, tr\u01b0\u1eddng \u0110H Hoa Sen (HSU) tr\u00e2n tr\u1ecdng k\u00ednh m\u1eddi Qu\u00fd Anh\/Ch\u1ecb\/Em \u0111\u0103ng k\u00fd tham d\u1ef1 bu\u1ed5i Seminar chuy\u00ean \u0111\u1ec1 v\u1ec1: \ufe0fCh\u1ee7 \u0111\u1ec1: 100 Years of Musical Highlights from Tin Pan Alley to Maroon 5 (T\u1ea1m d\u1ecbch: Nh\u1eefng Th\u00e0nh T\u1ef1u…<\/p>\n","protected":false},"author":1,"featured_media":509,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,7],"tags":[35],"acf":[],"_links":{"self":[{"href":"https:\/\/ntc33.net\/khxh\/wp-json\/wp\/v2\/posts\/506"}],"collection":[{"href":"https:\/\/ntc33.net\/khxh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ntc33.net\/khxh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ntc33.net\/khxh\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ntc33.net\/khxh\/wp-json\/wp\/v2\/comments?post=506"}],"version-history":[{"count":1,"href":"https:\/\/ntc33.net\/khxh\/wp-json\/wp\/v2\/posts\/506\/revisions"}],"predecessor-version":[{"id":508,"href":"https:\/\/ntc33.net\/khxh\/wp-json\/wp\/v2\/posts\/506\/revisions\/508"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ntc33.net\/khxh\/wp-json\/wp\/v2\/media\/509"}],"wp:attachment":[{"href":"https:\/\/ntc33.net\/khxh\/wp-json\/wp\/v2\/media?parent=506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ntc33.net\/khxh\/wp-json\/wp\/v2\/categories?post=506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ntc33.net\/khxh\/wp-json\/wp\/v2\/tags?post=506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}